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After working in a camera store for several years, he apprenticed in the portrait studio of Emma Hooker in Los Altos, CA. His involvement in platinum/palladium printing began 1982 when he became Chuck Henningsen's photographic assistant in Portola Valley, California. Eric about the Pl/Pd process: Although much of my photographic knowledge was based in traditional B&W and color, adding the platinum/palladium printing process was relatively easy for me because of my background in chemistry. In late 1983, Eric was introduced to Tom Millea, a highly regarded platinum printer and Chuck Henningsen's teacher. Through much of his early platinum printing, Eric was able to ask Tom for answers to platinum printing problems. Eric about learning: The creation of perfect images involves years of learning and tremendous dedication. Every day brings a new situation, and the learning process never ends.
Alternative Photography: Art and Artists, Edition I
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Historical photographic methods in use today - the art, processes and techniques of alternative photography Take part
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