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From the very beginning Dan liked the look of the SX-70 manipulations and 669 image transfers. He didn’t set out to confuse anyone’s perception, or to compel acceptance of my work. He simply wanted to generate a response in the viewer. He wanted discussion and the viewer to step closer to the image and figure out what is happening. I think image transfers and manipulations lend themselves to pushing the boundaries of possibility. I never know exactly how the end result will look, so my preconceptions are irrelevant.
Alternative Photography: Art and Artists, Edition I
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Historical photographic methods in use today - the art, processes and techniques of alternative photography Take part
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